The Teenagers, 6th October 2007
What happens when label of the moment Merok (home to the wired electrothrash noises of Klaxons and Comanechi) sign three impossibly cool Parisian boys straight out of an American Apparel ad? Quelle surprise: the kind of sultry, sex-crazed synth-pop that only a trio of dirty French not-quite-teenagers could make.
Quentin, Dorian and Michael started with just a Myspace page for a fake band and, as indie lore generally has it these days, 10,000 friends later the record deal came knocking. We demanded they explain themselves. “Thing is, we really did what we wanted with no pressure from anything or anyone,” explains Quentin. And how would they describe their sound? “It’s awesome.”
Though they list influences as diverse as Madonna, The Strokes, Slayer and Jacques lu Cont (the DJ pseudonym of the man behind Les Rhythmes Digitales), The Teenagers actually sound like they’ve taken the legacy of Serge Gainsbourg, stripped away all the romantic fluff and filled in the gaps with bitching, stalking, perversion and adolescent fornication, all delivered in a heavily accented monotone over Strokes-esque lo-fi synth. Oh, and then there’s ‘Starlett Johannson’, their ode to their favourite Hollywood actress (“I know you’re born in ‘84/ Half Polish, half Danish…You don’t believe in monogamy/ I’m not jealous Scarlett, will you marry me?”) Do they know what Scarlett thinks of stalker’s sonnet? “Nah! We wish though!”
Having played a batch of gigs in
Starlett Johansson is released on 12th November on Merok and The Teenagers are playing the Vice tour with Crystal Castles and These New Puritans later this year.
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