Worldwide Awards 2012 with SBTRKT and Sampha, Julio Bashmore, Koreless and more

Now then, now then - a review of an awards night no less! Purely democratic though, as you'd expect from all-round nice guy Gilles Peterson.

First published on Resident Advisor. 

Gilles Peterson Worldwide Awards 2012
KOKO, Camden, London
21 January 2012

For the uninitiated, Gilles Peterson has hosted his Worldwide show on BBC Radio 1 for 12 years, showcasing the outer reaches of leftfield hip hop, free jazz, African rhythms and soulful house, kerb-kicking blues and Cuban heat, dubstep and whatever the heck else he fancies. His eclectic and exacting taste has earned him a loyal core of open-minded listeners, who made up the bulk of the crowd at KOKO for his annual Worldwide Awards ceremony. But there was something bittersweet in the air this time round, as Peterson recently announced his departure from the station as part of a clear-out of the old guard (Judge Jules, Fabio & Grooverider) to make way for the new (Skream & Benga, Toddla T).

The running order was upheld with military precision, but with doors at 7pm most of the crowd inevitably missed sets from Dimlite, Gang Colours and Hudson Mohawke, all of whom were headed for the exit well before 10pm. Moving seamlessly from live sets to DJs, Kutmah delivered Brainfeeder flavours before the Los Angeles imprint was named Label of the Year. Other winners included Jamie xx for his remix of Adele's 'Rolling In The Deep', SBTRKT for his self-titled album and Machinedrum, who took home the John Peel Play More Jazz Award.

Read the rest of this review on Resident Advisor

The King of Limbs remixed: Radiohead as source material for new gen producers

[Wrote this for the Spectator Night & Day arts blog but it hasn't been posted up yet]

Radiohead
TKOL RMX 1234567 
XL Recordings

Given the clangorous fanfare and critical parping that usually accompanies a new Radiohead album, the February release of the band’s eighth studio effort caused merely a few ripples in the big splashy sea of new music. Partly this is down to the band’s decision to forego the expected promotional duties, festival headline slots and arena shows, but another explanation is that The King of Limbs could be band’s least successful and least memorable record. While it’s not without its moments, particularly when it hits its stride halfway through with the twin beauties of ‘Lotus Flower’ and ‘Codex’, TKOL is Radiohead in B-side mode, showing off a practiced ease with their own style and the organic interplay between human and machine; acoustic warmth and synthetic glitch.

But it was also obvious that these few tracks (only eight of them!) would undergo multiple incarnations, as producers and DJs from the top of the tree to its bedroom-bound roots got their hands on the fertile raw material. Given Thom Yorke’s recent collaborations with progressive hip-hop producer Flying Lotus and home-grown talents Four Tet and Burial, it’s not hard to imagine Radiohead taking the remixer’s job into account as they tinker in the studio. Why finish a track definitively when someone else will do it for you? Why write 10 great songs when you could do eight and let the remixers go forth and multiply?