Showing posts with label 4AD. Show all posts
Showing posts with label 4AD. Show all posts

Wednesday, 13 March 2013

"Vandross, Prince: they're saints to us." Inc. talk No World and stripping the blackness out of R&B

First published by Fact


Nearly two decades of musical training provided Californian duo inc. with a priceless sense of timing.

Armed with matching boyish visages and an acutely of-the-moment take on soft and soulful R&B, brothers Andrew and Daniel Aged found themselves on the sharp end of a trend with the release of their debut album, no world, on 4AD last month. 

But look past their well-timed entry into the divisive-but-blossoming genre of alt-R&B and you’ll find a pair of musicians who’ve been diligently putting in the hours since childhood, joining backing bands for enormo-stars like Pharrell, Elton John and Parliament and touring with personal heroes like Raphael Saadiq, all while barely out of their teens.

When they each tired of being “the only little white kid in the band”, the Ageds reconvened to form Teen Inc. (they soon dropped the inaccurate prefix), taking what they’d learned from the big boys to turn out the 3 EP in 2011, their own paean to funkified R&B and hyper-glossy New Jack Swing.

Nearly two years later, the sound of inc. has matured dramatically. Melancholic yet warm, no world draws on the gloopiest of late night radio slow jams and the glistening post-coital heat of neo-soul (D’Angelo and Maxwell are both revered as demigods by the brothers), while the occasional flutter of double-time trap drums hints at a maelstrom of heartache lurking beneath Andrew’s buttery-smooth voice.

The result is an almost archetypal expression of – yes – alt-R&B, the genre the internet hates to love. But where their peers like How To Dress Well and The Weeknd use vocal gymnastics to lay their hearts bare, inc. keep their cards close to their chest, burying vocals deep in the mix and forging a sound that complements their label’s legacy of misty-eyed dreampop.

The Aged brothers spoke to FACT about feeling like Jimi Hendrix, worshipping Saint Luther Vandross and stripping the blackness out of R&B – read the full interview on Fact.

Saturday, 2 August 2008

Blonde Redhead, 23

Blonde Redhead, 23
4AD

Blonde Redhead, the New York trio led by spooky Japanese warbler Kazu Makino, have managed to become a massive band of the underground indie scene and yet remain totally unknown to most. Their stubborn obscurity is pretty baffling when you consider that not only have they been around since your first day at school, they’ve been consistently peddling a line in the kind of knowingly hip, studied intensity that made Sonic Youth their millions.

Yet new record 23 is a different prospect altogether. Stripped of their earlier volatility and angular guitars, Blonde Redhead have smeared Vaseline on the lens to place these ten tracks in softer focus, brooding and lush in the best possible shoegazey style. It even feels like a cousin to the eerie romanticism of Sigur Rós, giving you sudden and inexplicable yearnings for fjords and glaciers. Yet 23 also has an exuberant, childlike quality that only a band with Japanese influence could provide: ‘SW’ is the soundtrack to a creepy anime flick rudely interrupted by a Sergeant Pepper brass band meltdown, while Makino’s wispy voice is the snug security blanket guiding you throughout this pounding, woozy headspinner of a record. Best to get on the Blonde Redhead bandwagon before everybody else does, then.

01/03/2007