First published in Loud And Quiet
Geoff Barrow and Ben Salisbury
Drokk: Music Inspired By Mega-City One
The revival in interest in early electronic music produces an awkward paradox. From Veronica Vasicka’s Minimal Wave series to the forgotten proto-house classics loved by the UK bass scene and the legacy of industrial revived by Carter Tutti Void – it's an eternal summer of early ‘80s retromania. Portishead's Geoff Barrow and BBC composer Ben Salisbury encapsulate that paradox with this imagined soundtrack for the 2000AD comic.
A vintage Oberheim Two Voice synthesiser dominates while semi-automatic drums warp over rasping metal, making for a fairly literal take on the dystopian grid-eyed world of Judge Dredd. The fantasy action is firmly in the realm of sci-fi hauntology – a past that saw the future in the man-machines of Kraftwerk, John Carpenter and Drexciya – and though the revival is partly a fan fetish, Drokk has a stylish commitment to authenticity that can't be knocked.